ISABEL RUBIO ARROYO | Tungsteno
In 2008, architect Chris Downey suddenly lost his sight following an operation. With more than 20 years' experience in his profession, he knew that he wanted to continue working in a field he was passionate about. He learned to read braille and began using an embossed printer to reproduce and interpret architectural plans. To mark the International Day of Persons with Disabilities on 3 December, we explore the story of this iconic American architect.
Downey's journey after losing his sight
In 2008, Downey was admitted to hospital for surgery to remove a brain tumour. "The surgery was successful. Two days later, my sight started to fail. On the third day, it was gone," he explained in a TED talk in 2013. At first, a cocktail of emotions gripped the San Francisco architect: "Fear, confusion, vulnerability."
But when he stopped to think, he realised he had a lot to be thankful for. "I thought about my dad, who had passed away from complications from brain surgery. He was 36. I was seven at the time. So although I had every reason to be fearful of what was ahead, and had no clue quite what was going to happen, I was alive. My son still had his dad," Downey said.
The architect lost his sight at the age of 45 after undergoing surgery for a brain tumour. Credit: TED
Sounds, textures and smells that define cities
Downey never forgot that he was "not the first person ever to lose their sight." Worldwide, an estimated 2.2 billion people live with some form of visual impairment, according to the World Health Organisation. Of these, 43 million are blind. Downey left the hospital with a mission: to get the best training as quickly as possible and rebuild his life.
And he succeeded. "As an architect, that stark juxtaposition of my sighted and unsighted experience of the same places and the same cities within such a short period of time has given me all sorts of wonderful outsights into the nature of the city itself," he explained. Subtle sounds, textures in the ground felt through the grip of his cane, the warmth of the sun on one side of his face, the wind on his neck and his sense of smell became key tools for Downey to understand space and to move and orient himself. "I started to realise that my unsighted experience was far more multi-sensory than my sighted experience ever was," he said.
Downey uses touch to design accessible spaces. Credit: CGTN America
Reading a plan by touch
It took Downey just six months to return to work. He found an embossing printer, commonly used to teach braille to visually impaired children, and opened his own architecture firm. The embossing printer enabled him to reproduce plans in a format accessible to him, allowing him to study the details of the design and form a complete picture in his mind. In order to make his own contributions and revisions to the plans, he found a solution in Wikki Sticks, pliable wax sticks that can be broken and shaped to form new lines that adhere to paper, which allowed him to add and modify lines with ease.
As Downey explains, "reading a plan through touch is very different from looking at it visually, and in some ways more difficult: you don't see the whole immediately and then understand the details; you find the detail first and then have to build out to the whole." The architect had sight for 45 years, so he says he can still visualise the space. "It's just a matter of engaging in it intellectually as I, with my fingertips, review, study and move through it," he says.
In recent years, his work has focused on enriching the environment for the visually impaired. Among his most notable projects is the LightHouse for the Blind and Visually Impaired in San Francisco, California. He has also worked as a consultant for HOK on the Duke Eye Center at Duke University Hospital and has collaborated on projects with companies such as Microsoft. He also played a key role as a consultant in the design of the Vision and Rehabilitation Hospital at the University of Pittsburgh Medical Center (UPMC).
The LightHouse for the Blind and Visually Impaired in San Francisco. Credit: Architecture for the Blind
In addition to his work as an architect, Downey serves on the California Commission on Disability Access and is a professor at the University of California at Berkeley. For him, architecture must go beyond the purely visual and embrace the tactile experience. He stresses that every detail—from the texture of walls to the design of handrails—shapes how we perceive and interact with the spaces we inhabit.
Tungsten is a journalistic laboratory that explores the essence of innovation.