ISABEL RUBIO ARROYO | Tungsteno
Barbara Jatta, the first-ever female director of the Vatican Museums in over five centuries, is responsible for safeguarding and restoring some of the Vatican’s most inaccessible spaces: sealed chambers, hidden storage rooms, and restricted areas where manuscripts, frescoes, and objects too fragile to be displayed are conserved. Under her supervision, specialised teams labour quietly, employing techniques ranging from traditional craftsmanship to the use of lasers, 3D scanning, and advanced conservation systems. Jatta safeguards a heritage that few ever see, yet one that underpins the world's most significant artistic and religious history.
Breaking Ceilings: The Story of Barbara Jatta
In 2017, Barbara Jatta made history by becoming the first woman to lead the Vatican Museums in their 516-year history. Given the site’s immense artistic importance, some say she shattered not merely a glass ceiling, but a “frescoed ceiling.” Born in Rome and academically trained in Art History, Jatta had spent more than two decades at the Vatican Apostolic Library before assuming what is widely regarded as one of the most coveted positions in the art world.
Today, she oversees a treasure trove of more than 200,000 works of art, spread across 11 kilometres of galleries, and oversees seven restoration laboratories. Under her leadership, the museums are not only preserved but increasingly digitised: virtual tours and online catalogues allow the Vatican's artistic heritage to reach audiences worldwide. With every decision about what to exhibit or what to keep secret, Jatta breathes life into a legacy that is both cultural and spiritual.
Jatta looks back on her journey at the helm of a collection of more than 200,000 works of art. Credit: EWTN
What Remains Unseen in the Vatican Museums
The proportion of works on display compared with those kept in storage varies depending on the type of art. “If we look at the percentage of what is on display and what is in [storage], it is amazing. Certain collections have only 1% on display,” she explained in an interview. In the case of painting and contemporary art collections, she estimates that the ratio is “25% on display and 75% in storage.” The institution seeks to “rotate some collections to show them better,” especially those that are easier to move, such as contemporary art and paintings.
Although Jatta is responsible for safeguarding monumental masterpieces such as the Sistine Chapel, her favourite work is a small painting of the Virgin and Child by Fra Angelico, located in Room IV of the Pinacoteca, which often goes unnoticed by many visitors. One of her preferred locations within the entire complex is the Belvedere Terrace. Designed by Bramante in the 16th century, this area is closed to the public and offers a view over Vatican City.
The Virgin and Child between Saint Dominic and Saint Catherine of Alexandria. Credit: Fra Angelico / Vatican Museums Pinacoteca
Within the complex, Jatta has experienced many unique moments. She recalls walking through the empty galleries during the pandemic lockdown, accompanied only by a small number of guards. She describes the experience as “terrifying” and “magical” at the same time, like being in a ghost town. During that period, the institution faced a profound financial crisis, as the Vatican Museums—unlike other large museums—rely exclusively on ticket sales. After a year of intermittent closures, Jatta acknowledges that anxiety spread: “People around us were talking about selling our objects to survive.” She describes the institution's recovery as a “miracle” that allowed activities to resume without the need to part with its artistic heritage.
From the Vatican to the World
Today, Jatta is a member of prestigious international organisations, such as the Scientific Council of the Louvre Museum and the International Advisory Committee of the Hermitage Museum. Over the course of her career, she has received numerous distinctions, including the Order of the Star of Italy (2019), Commander of the Royal Order of the Polar Star of Sweden (2020), and the rank of Officer of the Order of Arts and Letters of France (2021).
This international recognition reflects her view of art as a spiritual bridge that unites cultures and nations. For this reason, the museums under her direction organise exchanges with countries such as China, Mexico, and Chile. Jatta describes the collections as an “invaluable heritage of creativity, civilisation, art, history, and tradition.” This richness is valued not solely for the objects themselves, but also for the devotion that ensured their preservation across the centuries.
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